Session Musician Intericate Research Essay Example for Free

Session Musician Intericate Research Essay Go on tour with bands. Session musicians sometimes go on tour with bands; this involves getting paid a certain amount to play various gigs and concerts around a certain part of the world (or indeed all of it!). A session musician will either ask the company, or the company will ask the session musician to go and play either a whole tour, or just a few numbers in the tour. There is a large amount of gambling involved when it comes to being a session musician or hiring one. This is due to the fact that: a session musician gets pain a certain amount for the show (say  £1,000), if the show is a total flop then the record label will lose money, BUT if the show is a roaring success then the record label will make mega bucks. The gamble for the session musician is that he or she can’t go back and claim a percentage of the profits if it is particularly good. The session musician gets paid a set amount and no more. Recording sessions. Quite often a session musician will go for a recording of a single or a few tracks. This will involve the producer talking with the session musician, and agreeing a set amount of pay, agreeing the song(s) that will be performed, and how long it will take, and possible whether it will be split over multiple sessions of not. After the terms have been agreed, the rehearsal and tuning will be done, this involves the band and session musician playing the first few seconds of each song, and adjusting their instruments until they are in proper tune. Finally the actual recording will begin, this involves the session musician and the band playing a set list of songs perfectly, whilst being recorded. Again there is still the gamble that if the song if a flop, then the session musician will still get full pay. Practice/ individual techniques. In order to be a successful session musician, you must receive some kind of musical tuition. This is because you really need to be the best in the business to be a decent session musician, in order to be the best, and make your songs worthwhile, (and make the big companies pay large sums of money for your musical genius). Rehearsals with bands/ singers. Obviously the session musician will need to play with other on a regular basis, as solo practice is not quite enough to cut the mustard, and a second opinion on your music can make a world of difference. The session musician will have to practice all of the songs he/ she will play in a band, because if they didn’t then the tempo might not line up properly, he/ she would be unaware of any changes made to the track, and furthermore the session musician would have less time to improve their musical craft. During a rehearsal each member of the group (and the SM) will play a few scales, tune up properly and strum a few finger loosening exercises, or something of the like. Then it is down to business with playing through a song that needs to be learnt, identifying the weak areas, tightening them up, and moving on to the next part. Promote themselves. Session musicians are forced to promote themselves, otherwise they would not get anywhere in their career. Promoting yourself consists of, making a few you tube videos, creating a website (hired or self designed), putting up posters, or just making some mix tapes of various songs that show of your various skills. This is probably the hardest part about being a session musician, as there is so much competition. Session musicians are a dying breed, so any opening is quickly snapped up by the fastest and the best. The best approach is to make a site, create a few videos on you tube, call a few companies, and hope for the best. If there isn’t work out there, then make work. Do their own accounts. Session musicians can be self employed, this means doing their own taxes and bills for things to do with their profession. This is the most unexciting branch of being a session musician, as you will have to dedicate a couple of hours a week to doing the tax returns, and the business costs (website maintenance etc). How do they link in with other parts of the music industry? Concert producer/ promoter. Session musicians link in with concert producers through the sharing of music, obviously. But what a lot of people are oblivious to is how the producers get a hold of the session musician and do business. As I have previously stated, the session musician will upload a few videos to You Tube and on other sites that may facilitate this. The producer will look at the musician’s videos, the number of views, and the number of likes and dislikes. After the producer has seen the video, given a verdict, and seen that it is awesome (or not), then the producer contacts the session musician and says â€Å"we have an opening, would you like to have a recording session and make a demo. If it is good then we will take you on tour† but then if you are not what they want, you get a recording session under your belt. Roadie. A roadie is a person who takes equipment etc from place to place. A roadie is one of the less thought about aspects of the music industry, they are not involved in music producing but they are involved in music, just not in the usual way. A session musician is quite dependant on the roadies, because they are busy people (along with the rest of the band) and need as much rehearsal time, and relaxing time before the show. Just imagine a full rock band (Bass, Rhythm guitar, Lead guitar, Full drum kit, and all the other gubbinz that may be needed) carrying their own things in, it would take forever. But luckily the burly roadie is here to take all of the kit in. also I am sure that no musician wants to play with a pulled muscle. Live sound technician. A live sound technician is the bands best friend, and a session musician’s messiah. The live sound technician has the power to make a concert a big hit, or make it fall flat on its face. The LST will first have a detailed conversation with the musicians about what needs to be done, this includes the volume, the dominance of the band instruments to the mic, and the times when certain bits of backing need to be played (if there are any). Session musicians rely quite heavily on these wonderful people. To put it into context â€Å"Jimmy Quake is a session musician, he is about to play his first signed gig. He is playing with Sepultura (a thrash metal band) and he wants to make a good first impression on the world for his debut. The LST says to him and the band what needs to be done to your track to make it a hit, and the band will say this that and the other. But if the LST didn’t do this, the track would fail and Jimmy would never reach the big time. However if the LST an d Jimmy work in unison, Jimmy hits the big time, and the world screams his name when he enters the room.† What would happen if those bonds were not there? Concert producer/ promoter. Well. As you know, the concert promoter/ producer is going to hire the SM in the first place. So the musician would essentially not exist in live performances. Just imagine if you would only ever see bands in their original form. It might not seem that bad, but the band â€Å"them crooked vultures† was formed by merging: john Paul Jones (from led zeppelin), Dave Grohl (from Nirvana and Foo Fighters), and Josh Homme (from Queens Of The Stone Age). They also have a session musician that plays on live tours etc called Alain Johannes, he used to be a session musician, but his music was heard by John Paul Jones, and he decided that his sound needed to combine with the other members sound to create an extremely popular band. Strictly speaking Alain Johannes was not a session musician in all respects, but in many others, he was one. Roadie. A session musician would be lost without a Roadie to cart their various tools, instruments, and all manner of other kit to its proper destination. Hypothetically speaking, a session musician could survive without a Roadie, but it would be rather inconvenient and time wasting. â€Å"Joe is a SM, he is heading to Tokyo to play a $20 000 gig. He gets off the plane and gets into the van, ready to take him to the â€Å"Tokyo Dome†. Joe suddenly realizes that his Roadie no longer shared a bond with him; he takes all of the equipment out of the plane and loads it into the van. Then they set of. Joe has pulled a muscle in his back and is in crippling agony, he gets to the arena, lugs the rest of his things into the staging area, realizes that he is 2 hours late for practice, plays terribly because of his back and lack of practice, he is hung drawn and quartered for his crimes against music, and his career is over. (but realistically not his life.) Live sound technician. Well, as I have previously stated, a LST has the almighty power to change the sound of the music. The fans come for the merchandise, the concession, and the thrill, but the music is paramount over all of these other factors combined. If a SM does not have a LST then the concert would be a disaster waiting to happen.. if there was no live sound technician then the volumes would be all wrong, and any other tracks that may need to be played over it would not happen. Also the LST is the person who runs the rehearsals, so they would no longer happen, leading to an all round shoddy performance. Theoretically, a SM could live without a LST as well, but they would have to play acoustic, or just be realy in sync with the volume and timing of their performance.

Scarlet Letter/ Syntax & Imagery :: Free Essay Writer

Scarlet Letter/ Syntax & Imagery Nathaniel Hawthorne, the author of The Scarlet Letter, has an extremely elaborate, and well-depicted vocabulary. Many of his sentences and paragraphs tend to be very verbose, but at the same time very helpful in giving the reader an accurate representation of the exactly how Chillingworth reacts when he first sees Hester. Within the passage on page sixty-seven Hawthorne is giving an intricate description of Chillingworth’s reaction when he first sees Hester after she is released from prison. With his usage of both syntax and imagery throughout this passage, he most effectively illustrates his vision of Chillingworth. Hawthorne gives us quite a bit of description within this passage, which allows us to see an intellectual side of Chillingworth. Generally people are intellectual or religious, the big bang vs. Genesis. Chillingworth is portrayed as intellectual, which conflicts with the Puritan views of religion. Syntax is simply described by the arrangement of words; more complexly it is also made up of the Primary and Secondary structures of language. Primary Structures often consist of â€Å"an initial noun phrase, a verb phrase, and a final noun phrase†; while secondary structures consist of basically everything else in the sentence (all of the extra words used to make language more vivid and colorful). While looking at the second sentence of this passage Hawthorne writes, â€Å"It was carelessly, at first, like a man chiefly accustomed to look inward, and to whom external matters are of little value and import unless they bear relation to something within his mind.† The majority of this passage was composed of secondary structures. â€Å"It was careless,† was the only primary structure in this sentence. All of the other descriptions used were secondary structure, which helped us to understand the lackadaisical expression Chillingworth displayed when his gaze met that of Hester’s. Within the statement of external matters being of little value, while things are only important if they bear relation to something within his mind, we realize that Chillingworth was simply an intellectual person. We are also led to assume that religion is not an incredibly large factor in his life. The secondary structures helped to make the passage comprehensible and very easy to visualize. Another example of Hawthorne’s use of syntax is in the description of Chillingworth’s first sight of Hester. â€Å"His face darkened with some powerful emotion, which, nevertheless, he so instantaneously controlled by an effort of his will, that, save at a single moment, its expression might have passed for calmness.

Analysis of “Al Gore on Climate Crisis and Global Power”

Former Vice President Al Gore was the featured â€Å"My Turn† opinion writer for the December 18, 2006 issue of Newsweek Magazine. This opinion article was a part of Gore’s environmental awareness campaign which began with the publication of his book An Inconvenient Truth.  Gore presents a very well written argument advocating the necessity for massive change in the use of energy. According to Gore, â€Å"we are now faced with an urgent crisis—a crisis that is altering the very nature of the earth’s climate.†Gore makes his compelling argument without preaching, scolding, or frightening. This is extremely rare, and valuable, given the highly volatile nature of any debate involving energy sources and environmental concern. The article is interesting for what is said as well as for what is omitted.The piece is devoid of the usual â€Å"doomsday† statistics and anecdotes projecting a critical problem without a solution. Instead, Gore portrays t he world at a crossroads, the beginning of â€Å"a new age† where â€Å"crisis† should be defined as the Chinese write it: â€Å"danger† and â€Å"opportunity†. He does not need to elaborate on the well-known and documented dangers facing the world regarding climate change. Instead, he illustrates several of the opportunities he visualizes in the future.His first example is the development of an â€Å"electranet† distribution network for electrical power. Instead of massive coal, oil, or nuclear fuel power plants, smaller suppliers, including wind and solar power generators, will be widespread.Additionally, anyone on the â€Å"electranet† who can generate electricity, from small home solar units to larger industrial generators, will be able to sell their surplus power to the grid. Other changes envisioned include â€Å"smart† buildings â€Å"constructed with breakthrough solar and nanotechnologies† and super-high mileage vehicl es.Gore is optimistic because â€Å"market forces that are now in motion— driven by visionaries at companies as diverse as Wal-Mart, British Petroleum and General Electric†   are having an effect. But, more must be done: governments must â€Å"exert real leadership† in agreement to the Kyoto treaty and then beyond in order to meet the crisis. With optimism Gore closes by stating it is â€Å"a rare opportunity for our generation to unite behind a historic mission.†I share Gore’s attitude and opinions regarding energy and the environment; however, I believe I am not alone in feeling very apprehensive. A day does not pass without more evidence documenting incredible damage and change in the global environment.It is easy to fear that the world of our children and grandchildren will be terribly damaged. It is difficult to focus on what one individual can do when there is a fear of it being â€Å"too little too late.† As Gore believes market for ces will cause the beneficial change, I believe we must examine how â€Å"we the people† can be a significant part of that force.To paraphrase Gore, the immediate future will be incredibly challenging. I believe he frames the issue perfectly as â€Å"a historic mission† in which we must all play a significant role. In unity there will be success; the environment does not have the luxury of time for divisiveness or finger-pointing.Although it is very likely we will be able to see the reward of collective action, if not, it is certain future generations will see the result of our action or inaction.

Prostitution As A Form Of Sexual Abuse - 899 Words

Prostitution can have the meaning of, â€Å"engaging in sexual acts or activities for the exchange of money or goods†, this can also be a form of sexual abuse. Prostitution status for the countries shown for the â€Å" number of countries prostitution is illegal: 109, number of countries prostitution is restricted: 11, number of countries prostitution is legal: 77, number of countries with no laws for prostitution: 5.† Prostitution is illegal in all states in the US except for 11 counties in Nevada. The Mann Act signed by President Taft on June 25, 1910. The purpose for this law was to stop harboring immigrant prostitutes, forced prostitution and transportation across state lines. A Representative that’s named James R. Mann was how the law got its name, this act had dealings with child pornography and prostitution. Mann came across this law because in Chicago 1909 people told him that pimps were forcing girls and women into prostitution. In the US arguing for keeping sexual rights and privacy won out in the landmark Supreme Court ruling Lawrence v. Texas stating that these sodomy laws consider constitutional law of a country nor the government. Sex trade still continues, in 2007 Atlanta’s sex trade was worth $290 million. Pimps usually come with history, like being a pimp was a family business because there was a lot of their family member involved into that before. It’s pasted from generation to generation usually. Keeping prostitution illegal helps stop sexual exploitation. SexualShow MoreRelatedThe Effects Of Sexual Abuse On A Child1316 Words   |  6 Pagessexually abused before they turn eighteen years old (Wurtele, 2014). Abuse to a child whether in the form of physical, emotional, sexual, or neglect is never acceptable. Children are our future, and we should treat our future with respect and guidance in order to ensure a happy and safe environment for all. 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